Lately, I’m into Citypop. As everyone else.
It’s familiar. It’s groovy. It’s soothing. It connects with a lot of people and
gives you a very positive feeling.
I follow the YouTube Channel Music Radar Clan
which is an excellent channel where the creator does small documentaries on a
variety of topics related to music and musicians. If you understand Spanish, I
highly recommend it.
In his video on Citypop he showed
how this genre was the portrait of a growing economy and positivism that
Japan lived in the 80s. Consumerism was everywhere, all was good as there was
money and things to do with it. It was a golden age for the people living there
apparently.
Susumu Hirasawa appreciation post. Yet another electrical hit from Kaku P-Model.
I really appreciate how the works alone by Susumu Hirasawa are completely
different from Kaku P-Model, yet they share a lot of things. Like two sides of a
coin.
Click to watch in YouTube (New tab)
Hello my friends!
This is a reminder for me and for the future generations to come. I’m not going
to show you anything very magical or new, but this happen to me and I didn’t
have clue about it. So if you didn’t know, now you will!
Are you tired of compsing something in Vortex
Tracker and hearing something odd
when playing it in the machine? Your tracker might be wrongly configured!
Susumu Hirasawa appreciation post. Solid Air is part of P-Model works, but
Susumu is able to mix it with Darkness ⲡ duai perfectly.
Let’s rumble:
Click to watch in YouTube (New tab)
I don’t only live from weird japanese things. Today, some castlevania.
Click to watch in YouTube (New tab)
I would have never expected a vocaloid cover of P-Model. But it does exist. And
it’s amazing. I have to find the CD “Hatsune Miku Sings New Wave”.
Click to watch in YouTube (New tab)
Bonus track
Oh Spiritus! Oh SPIiiiiiiiIIIIIIIIIiIiiiiiiiiiiiritussssssssssss!
Click to watch in YouTube (New tab)
Lately I have been only posting music. We’ll, that’s what I like to do at the
moment, so… ¯_(ツ)_/¯
This time I bring you Osamu Sato’s Transmigration. It’s a weird album mixing
pseudo-futuristic sound with strange folk chants. I haven’t played through all
the Osamu Sato’s Tong-Nou, a superb weird experience into his mind made into a
game, however the first song is clearly the opening theme.
I hope you enjoy. Also give a chance to that game while thinking on Buddhist
concepts like samsara (mind those 30 days you get offered to get your soul
back).